Formed on the survival show Sixteen in 2015, TWICE built their name on bright hooks, layered harmonies, and precision choreography.

From trainee grind to arena command

After renewing as a full group in 2022, they moved into a veteran phase that folds in sleeker R&B colors without losing the bubble-pop snap. In this new THIS IS FOR era, expect a tight arc that balances early anthems with newer English crossovers.

Hits likely to surface

Likely anchors include Fancy, I CAN'T STOP ME, Feel Special, and The Feels. The crowd in Oakland should skew mixed: friend groups in coordinated pastels, parents with kids clutching Candy Bong light sticks, and longtime fans repping older era tees. Expect crisp fanchants cued by on-screen prompts, especially on the post-chorus hits. Fun detail: many choruses are tracked in unison by all nine voices in the studio, which is why the sing-alongs feel extra thick live. Another nugget: the group often cuts alternate language versions with tweaked phrasing, not direct translations, to preserve rhyme and bounce. Note that I'm inferring likely songs and staging from recent eras, not a confirmed Oakland plan.

The TWICE Scene Up Close

What people wear and carry

Oakland shows for TWICE tend to glow with pastel jerseys, varsity-style jackets, and glittery heart stickers under eyes. Candy Bong light sticks pulse in soft gradients, often synced by fans during big choruses. You will see homemade slogan banners, album-color ribbons, and photo card binders traded respectfully in small circles.

Shared rituals, not rules

Chants arrive on cue: names between verses, the melody shout on Cheer Up, and full-stadium counts before drops. Merch trends lean toward minimalist logo tees and tote bags, while pin sets and member-number patches nod to older eras. A common arc is giddy energy early, a calm singalong stretch mid-show, then a last sprint of dance-forward hits. The mood is welcoming and organized, with plenty of room for first-timers to learn chants on the fly. Expect a few coordinated fan projects like paper hearts or wristband colors on encore songs, driven by fan leaders rather than venue staff.

How TWICE Sounds Onstage

Hooks first, detail second

Live, TWICE tends to prioritize clean unison hooks, then splits into tight two- and three-part harmonies for bridges. A touring band and thick backing tracks keep the kick drum and synth bass locked, giving dancers a steady grid to move on. Tempos usually sit brisk but not rushed, so the choreography breathes and the vowels land clearly.

Small tweaks, big payoffs

Listen for subtle key trims on a few older hits, which keep choruses in a comfortable belt while the group is mid-routine. They often reshape one ballad into an acoustic section, letting the crowd handle the top line while the members add descants and ad-libs. On bangers, drum accents mirror footwork patterns, which makes claps and kicks feel like part of the dance rather than a backdrop. Lighting rides the arrangement, switching to wide white for fan-chant moments and saturated color during dance breaks without muddying sightlines. A neat quirk: the pre-chorus counts are slightly stretched live, so drops feel bigger when the chorus finally hits.

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Bright pop, big rooms

If you ride for BLACKPINK, TWICE offers the same arena-scale spectacle but with sunnier hooks and chorus-first writing. ITZY brings hard-edged dance breaks and chant-ready refrains that echo TWICE's hype sections while skewing more hip-hop.

Where styles overlap

Melody fans who crave glossy pop will find overlap with IVE, where elegant refrains and clean harmonies sit front and center. For tight formations and athletic staging, LE SSERAFIM shares the love of sleek lines plus stamina-driven sets. All four acts attract multigenerational crowds who enjoy synchronized fanchants and polished visuals. If your playlist swings between crisp dance-pop and punchy bass drops, this show lands in that sweet middle. The common thread is concise songwriting built for call-and-response moments rather than long solos.